But if Watts had the choice of doing Funny Games again, she would still say yes. Watts remains unfazed by the uproar the film triggered last year when it hit theatres. So it was hard. Worse still, any sleazeball horror fan familiar with John McNaughton's seminal s gem Henry: As a die-hard horror fan who's spent many happy hours enjoying gratuitous screen carnage, watching Funny Games at its Cannes premiere was like being told off for two hours. My taste is my taste. But being stiffly lectured on why you are such a bad person for wanting to watch any of this stuff in the first place gets a bit wearing.
Being scared can be fun. Furthermore, anyone who sees The International will note that Watts has taken what is essentially a supporting role despite her star billing. My taste is my taste. Were Watts part of the conventional Hollywood mainstream, such words might wound her. Were Watts part of the conventional Hollywood mainstream, such words might wound her. Like the original, you can't fault the clinical cruelty of Funny Games U. Watts remains unfazed by the uproar the film triggered last year when it hit theatres. So does Haneke's American experiment really deserve to be treated as cruelly as some Stateside critics think? After all, who wants to pay to see a film whose creator apparently hates them for paying to see his film? She worships Michael Haneke, applauding him for his determination to make a movie so disgusting and degrading that it awakens audiences to the truth about a culture which regards violence in movies as some kind of spectator sport. People have very adverse reactions, but my belief is that what he was doing was a very specific exercise. Furthermore, anyone who sees The International will note that Watts has taken what is essentially a supporting role despite her star billing. Share via Email 'Anyone who leaves the cinema doesn't need the film, and anyone who stays does! With Funny Games now out on DVD, the year-old Australian remains unrepentant about her involvement in a story about a pair of young male psychopaths who invade an idyllic summer home and torture and murder Watts, her husband Tim Roth and their child. It was a challenge. But being Watts, she sees them more as a badge of honour. And in the decade since the release of Funny Games, he has grown into an altogether more accomplished film-maker, eschewing the snotty-nosed academic piety of yore in favour of a more dramatically rewarding humanity. She doubts that motherhood will cause a change in her career choices. It is this contempt, rather than any imagined language barrier, which makes Funny Games such an unappealing proposition. Several reviews of The International commented on the lack of a romantic sub-plot involving her and co-star Clive Owen, who plays a driven Interpol agent. Worse still, any sleazeball horror fan familiar with John McNaughton's seminal s gem Henry: Only rarely has she pursued the conventional career route. The problem with the original Funny Games was that its target audience dumbo consumers of the violent American cinema that Haneke professes to despise were never going to watch a German-language arthouse movie specifically designed to make them feel lousy. But if Watts had the choice of doing Funny Games again, she would still say yes. People have very adverse reactions, but my belief is that what he was doing was a very specific exercise. But if Watts had the choice of doing Funny Games again, she would still say yes. So, with peculiarly humourless European logic, Haneke has remade the film, virtually shot-for-shot, but this time in English.
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